I grew up in a small village called Bunyol, in Spain, and spent most of my childhood in an old cinema run by my family. There I developed a fascination for filmmaking. I studied Journalism (University of Valencia, Spain, 2008), completed a Master in Innovation and Quality in Television (University Pompeu Fabra, 2009) and a Diploma in Creative Documentary (University del Valle, Colombia, 2014). I have a (practice-based) PhD in Film Studies from UCL (2022) on Latin American women’s documentary cinema. Since 2008 I have been working as documentary researcher, cinematographer, and editor for several productions, such as ‘Dr. Moises Broggi’ (TV3, Spain, 2010), ‘I wasn’t always dressed like this’ (D-AEP, UK, 2013), and ‘Changing of the Guard’ (Telesur, UK, 2018). I have directed Pilas (2019) and co-directed #PrecarityStory (2020). Currently, I am developing Processing Images from Caracas. My films have been awarded by UNESCO, Talencia, Alcances and DOCMA, and have been shown at cinemas, international film festivals, and art galleries. I have taught at the University of Essex, the University of Westminster, University Arts London, and University College London. I have presented my research at conferences such as Visible Evidence and LASA and have published academic articles in several journals, including Alphaville and Feminist Media Studies. In 2021, I co-organized the international conference Cozinhando imagens, tejiendo feminismos. Latin American Feminist Film and Visual Art Collectives, from which I co-edited a namesake section for Jump Cut: A Review of Contemporary Media, published in 2022. Currently, I am a Senior Lecturer in Film Production at Arts University Bournemouth.
PUBLICATIONS
Cervera Ferrer, Lorena. “Towards a Latin American Feminist Cinema: The Case of Cine Mujer in Colombia.” Alphaville. Journal of Film and Screen Media, no. 20, 2020.
Cervera Ferrer, Lorena. “Militancy, Feminism and Cinema: The Case of Grupo Feminista Miércoles.” Journal of Italian Cinema and Media Studies, vol. 10, no. 2, 2022.
Cervera Ferrer, Lorena. “Reproductive Rights, Othered Women, and the Making of Feminist Documentary in Latin America.” Feminist Media Studies, 2022.
Cervera Ferrer, Lorena, Sonia Kerfa, and Elizabeth Ramírez-Soto (eds.). “Latin American Feminist Film and Visual Art Collectives.” In Jump Cut: A Review of Contemporary Media, no. 61, 2022.
Cervera Ferrer, Lorena. “Tres aproximaciones al cine documental político hecho por mujeres de América Latina entre 1975 y 1994.” Orbis Tertius, 2023.
Cervera Ferrer, Lorena and Seguí, Isabel. “#PrecarityStory: Academic Casualisation and Feminist Filmmaking.” In Constructions of the Real, edited by Catherine Gough-Brady et al. Bristol: Intellect Books, 2023.
CONFERENCES, SEMINARS AND TALKS
‘Mujeres latinoamericanas en la diáspora hacen documentales en primera persona.’ Mujeres y cine en Iberoamérica, Madrid, 2022.
‘Diasporic Latin American Women Making First-Person Documentary Films.’ Visible Evidence, Gdansk, 2022.
‘#Precarity Story: Documenting Labour Struggles in British Universities.’ Visible Evidence, Frankfurt, 2021.
‘#Precarity Story: Feminist Film Researchers Making Third Cinema in the UK.’ History of Women in Film and Television: Then and Now, Online, 2021.
‘Cine Mujer: Feminist Cinema and Collaborative Filmmaking.’ Documentary Styles and Implication for Research and Ethics, Online, 2021.
‘#PrecarityStory: el cine artesanal como oportunidad.’ Ecologías de la imagen en movimiento, Online, 2021.
‘Hacia un cine feminista latinoamericano: el caso de Cine Mujer en Colombia.’ Documental: fotografía, cine y memoria, Online, 2021.
Conference organizer. Cozinhando Imagens, tejiendo feminismos. Latin American Feminist Film and Visual Art Collectives. Online, 2021.
‘Latin American Women’s Political Documentary.’ SMCS, Online, 2021.
‘#PrecarityStory: Embodying the Academic Precariat.’ RAI Film Festival, Online, 2021.
‘Militancia, feminismo y cine: Grupo Feminista Miércoles.’ Intervenir en collectif : utopies artistiques et réalités genrées, Online, 2020.
‘Latin American Women’s Political Documentary: Practices and Aesthetics, 1975-1994.’ Gender and Feminism Research Network, London, 2020.
‘Latin American Women’s Political Documentary: Practices and Aesthetics, 1975-1995.’ London, 2020.
‘El cine documental político hecho por mujeres de América Latina 1975-1995.’ Madrid, 2019.
Visual Art Residency. Peak District, 2019.
‘The Double Day: Bridging Feminist Praxis and Militant Cinema.’ Transnational Radical Film Cultures. Nottingham, 2019.
‘Amor, mujeres y flores: A Women-Centred Turn in the Class Struggle.’ SLAS Annual Conference. Leicester, 2019.
‘Orígenes y estética del cine documental feminista en América Latina.’ XVIII Congreso Internacional de la Asociación Española de Americanistas ‘América: singularidad versus universalidad. Castellon, 2018.
‘The Emergence of Women’s Documentary Cinema in Latin America.’ America’s Journal Club, UCL. London, 2018.
SELECTED FILMOGRAPHY
A Film by Cine Mujer, video-essay [filmmaker], 2020
#PrecarityStory, short documentary [co-director, co-producer, DOP and editor], 2020
PILAS, short documentary [director, producer, DOP, and co-editor], 2019
Changing of the Guard, short documentary [camera operator and co-editor], 2018
Rajvi, short documentary [director, producer, DOP, and co-editor], 2017
War is Beautiful, documentary [editor], 2013
I Wasn’t Always Dressed Like This, short documentary [camera operator], 2012
Dr. Moisès Broggi: Ethical Science, documentary [assistant director], 2011
Querida Doña Elena, documentary [assistant director], 2009
A les fosques, short documentary [co-director], 2009
SCREENINGS and AWARDS
A Film by Cine Mujer. Teaching Women’s Filmmaking, Online, 2021.
#Precarity Story. February, London (UK), 2020.
‘El cine documental político hecho por mujeres de América Latina 1975-1995.’ November, Grenoble (France), 2019.
Colectivo Cine-Mujer Colombia. Short Documentary. Birkbeck Essay Film Festival. April, London (UK), 2019.
Pilas. Short Documentary. ZagrebDox. February, Zagreb (Croatia), 2019.
Changing of the Guard. Telesur English. June, 2018.
Rajvi. Short Documentary. Gallery Different. February, London (United Kingdom), 2018.
De par en Part. Arts Festival. November, Bunyol (Spain), 2017.
Pilas. Work in Progress under the title 2nd Up. The New Face of Colombia, Art Berdmondsey Gallery. November, London (UK), 2015.
Pilas. Work in Progress under the title 2nd Up. Battersea Spanish. November, London (UK), 2015.